There were many complete sets of all six suites, but he didn't want those. When he said that he was partial to the Fifth Solo Cello Suite of J.S.Bach, I began a search for one. This CD yeilds immense rewards to anyone who listens ....and is an expression of passion for the music and the instrument. among recordings deemed classics by Library of Congress", Program Notes: The University of Chicago Presents | Performance Hall | Logan Center. Not since I heard an 18 year old Robert Barney bring the music weary crowd to its feet in St. Moritz thirty years ago with a different collection of cello suites on the double bass have I been so awestruck. 5. [10], Recent research has suggested that the suites were not necessarily written for the familiar cello played between the legs (da gamba), but an instrument played rather like a violin, on the shoulder (da spalla). As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types;[1] the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. This is true dancing music, through and through – the liveliness and uplifting energy of these gavottes clearly invite the listener to physically move to the music. And it’s a particularly slow-paced movement; Bach’s notational choices and intervallic leaps essentially require a very patient, restful approach to tempo. The key is also difficult on cello due to the lack of resonant open strings. The second bourrée, though in C minor, has a two-flat (or G minor) key signature. The resonance and tonality of the playing on the larger instrument bring out music which is immensely satisfying. There were many complete sets of … Please try again. Jean-Guihen Queyras, cello, "Sigiswald Kuijken over de 'violoncello da spalla'", "J.S. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Forget the sound of the great cellists you associate with these works, and listen to this record with a fresh ear. There were many complete sets of all six suites, but he didn't want those. The suites are in six movements each, and have the following structure and order of movements. That said, I don't think I really heard the depth possible from these three Suites until I heard Edgar Meyer play them on the Double Bass. [15] Schumann's publisher accepted his arrangements of the Bach violin sonatas in 1854, but rejected his Bach cello-suite arrangements. Yo-Yo Ma won the 1985 Grammy Award for Best Instrumental Soloist Performance for his album Six Unaccompanied Cello Suites. However, analysis of secondary sources, including a hand-written copy by Bach's second wife, Anna Magdalena, has produced presumably authentic editions, although critically deficient in the placement of slurs and other articulation, and devoid of such basic performance markings as bowings and dynamics. There is a deeper and richer sound, the thicker strings and opportunity to cover more space on the neck provide a whole new stage for these magnificant works. You have never really heard the Bach Unaccompanied Cello Suites until you hear these versions of three of them. In 3/2 rather than the more common 3/4 meter, this sarabande is fully chordal and harmonically rich. This is of some significance as in the cello (sic) format of no. I dislike many recordings of Bach, because I am not a fan of layering Baroque music with romantic interpretation. Reviewed in the United States on December 31, 2002. 5 was originally written in scordatura with the A-string tuned down to G, but nowadays a version for standard tuning is included in almost every printed edition of the suites along with the original version. Reviewed in the United States on March 13, 2001. The allemande is the only movement in the suites that has an up-beat consisting of three semiquavers instead of just one, which is the standard form. The subsequent allemande contains short cadenzas that stray away from this otherwise very strict dance form. [22] Jarvis proposes that Anna Magdalena wrote the six Cello Suites and was involved in composing the aria from the Goldberg Variations (BWV 988). However, some say there is no substantial evidence to support this claim: whilst three of the sources inform the player that it is written for an instrument à cinq cordes, only Anna Magdalena Bach's manuscript indicates the tunings of the strings, and the other sources do not mention any intended instrument at all. 5 for lute). Bach: Unaccompanied Cello Suites, Performed on Double Bass. The thrill of the Bach melodies played on such a deep and soulful instrument leave the listener moved. His sense of structure and voice-leading is admirable, his rhythm supple but rock-steady, though he inexplicably cuts short some final long notes before repeats. Grandissima musica + lettura originale = da ascoltare. [15][16] It is believed that Schumann's widow Clara Schumann, along with violinist Joseph Joachim, destroyed his Bach cello-arrangement manuscripts sometime after 1860, when Joachim declared them substandard. "USING THE ORGAN TO TEACH THE FOURTH SUITE PRELUDE FOR VIOLONCELLO SOLO BY J.S. A true revelation of the power of music. Raff Work Catalog: Arrangements of Works by Others. Suite No. Your recently viewed items and featured recommendations, Select the department you want to search in. The 2nd gavotte is musically much simpler; the second half of this gavotte prominently features an open D-string pedal tone. Variations in the terminology used to refer to musical instruments during this period have led to modern confusion, and the discussion continues about what instrument "Bach intended", and even whether he intended any instrument in particular. 3, discovered in 1981 by musicologist Joachim Draheim in an 1863 transcription by cellist Julius Goltermann. Please try again. [12], The cellist Edmund Kurtz published an edition in 1983, which he based on facsimiles of the manuscript by Anna Magdalena Bach, placing them opposite each printed page. "[25], "Cello Suites" redirects here. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. This prelude is very driving and flowing throughout; the sense of motion established at the start continues throughout the movement. The Naxos version with Lucy Van Dael sweeps them off the table, and in trying for a more authentic sound somehow this version sounds more refreshing. It is also the only one of the suites that is partly notated in the alto and soprano clefs (modern editions use tenor and treble clefs), which are not needed for the others since they never go above the note G4 (G above middle C).

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