Photographer professional Олег. With still life photography, I tend to be a stickler for the rules of thirds and odds. …in my own way, with my own eyes.” – Robert Mapplethorpe. Use Simple Compositions to Make B&W Still Life Photos Stand Out, 5. City Тольятти. City Киев. It’s something very commonplace made extremely unusual, just by seeing the intricate beauty of a specific subject and make it come alive using light, shadows and black and white to the subject’s advantage. From country Ukraine. For a more subtle approach that portrays a flower’s fragility, try softer greys and less contrast. Find Inspiration. Photographer professional Олег. Whether I shoot architecture of flowers, there’s always the same conceptual idea, the same kind of awareness of shapes, light, shadows and how they interact to create an impression. The questions I get asked on a frequent basis is, if they also work on black and white still life photography, portrait photography or even for color photography. Move your subject around and see how it catches the light from different angles. Roughly speaking I needed a dark mid gray flower, a darker mid gray background and a dark mid gray vase with soft contrasts. You’re making a photo without people or movement. Both are similar representations of my general idea but the second one contains the translation to distribution in tonal zones. But a simple, minimalistic composition also makes it more difficult to create interest for your subject. Tea On The Tableflickr.com. Since I didn’t want to overpower the viewer with dynamic contrasts all over the image I chose to process the flower and vase in similar mid gray tones as the background with subtle selective contrasts to isolate the flower from the background. You can photograph food, flowers, ornaments, toys. 'rmocx.RealPlayer G2 Control.1', I often experiment with and without a reflector. #85726277 - still life photography : human skulls, and candle on black table.. City Королёв. Instead of explaining in detail how I processed this image, I do think that’s the least interesting part and besides you can find all about my black and white photography post processing method in my free tutorials on this website, my video tutorials or the book (scroll down to the conclusion to see all the links and details), I’ll try to explain how I came from the color version to a version that looks like it looks now on a conceptual level. City Королёв. Seeing leads to more aware perception. I can add the highlights after I have accomplished the overall mid gray look of the image. Enhance Textures and Shapes With Lighting, 3. Here are 3 of the 9 tweaks we uncover in this 9 minute video: ['rmockx.RealPlayer G2 Control', The questions I get asked on a frequent basis is, if they also work on black and white still life photography, portrait photography or even for color photography. 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', The subject doesn’t matter. And you’re doing this without over-using the dodge and burn tools. На подоконнике. It’s important to use a very clear and simple composition that doesn’t distract from these elements. Амбротипия - 13х18, экспозиция -5 сек. City Харьков. Here are the two photographs. The highest difference in contrast is between the white inside of the vase and its surrounding (to give it a subtle sense of depth) and inside the flower itself. Subtlety is key for this image. Obviously the color photo is the version as it came out of the camera and the other one the final processed version. Or take a step back to include more negative space. In still life photography, a photographer captures an image with almost … Don’t miss out on our Creative Photography Cookbook for awesome still life ideas! Photo 3 is the underexposed version, primarily used for the darker background only. Almost anyone…, Do you love flowers and enjoy taking pictures with your smartphone? Create a rough sketch about the way you want your photo to look. It certainly helps to study still life paintings to get some inspiration. When it comes to black and white still life photography, clicking the shutter is only part of the process. manually adding highlights, darkening part and create smooth transitions between the indicated areas visualized prior to post processing – this is the most time consuming part. The overall result is a minimalistic image that has a calm, austere look and feel to it, due to the largely soft contrasts throughout the image and only high contrasts in selective areas. Add to Likebox #112230339 - Christmas composition. The trade off is of course that by using a wide aperture the depth of field will be very shallow and your subject will not be sharp overall. But it really depends on how you approach and present your still life photograph to make the shallow depth of field work in your favour or not. If you do that then make sure you work with a tripod which unfortunately gives you less flexibility in composing your shot. There’s no ‘right’ or ‘wrong’ with this method, and it can be quite a subjective approach. Photo 1 is the neutral conversion for the vase. The highest contrast is therefore inside the flower to ‘lock up’ the viewer inside the flower. Push the boundaries with your black and white still life photography, and don’t be afraid to get a bit arty! Photographer professional fashionfoodfoto. Seeing in this context is a way of looking at things with higher awareness. Adjusting the HSL sliders is an easy way to lighten or darken parts of a photo. Make notes of the lines, textures, or tones you want to emphasise. His compositions of still life are more complex than Edward Weston’s photographs of still life, often times using geometrical shapes formed by shadows or by the props he’s using like beautifully formed vases or just the shape of a (book)shelf. You could even take your objects outside. Портрет итальянской семьи в интерьере. analyze the color composition and create a high level approach for the black and white version: the vision part. There are pros and cons to every type of set-up and it depends on what you want to achieve. I’ve photographed various still life using a 24mm tilt shift lens to either apply a selective focus or to have sharpness throughout the whole subject without having to resort to smaller apertures. Subject matter is almost irrelevant. I can recommend studying their work, even if you’re not a still life photographer, just because the value isn’t in the subject matter that they’re using for their photographs, the value is in the way they see things that can make any subject extraordinary. It’s often the opposite with still life painters where you generally tend to see many objects.

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